Australia
First, let me say that excessive
travel is hard on the digestive tract.
I may have (and those of you who
have lived or traveled with me will know this) a bladder that is roughly the
size and shape of a small whale, but apparently my intestines are neither so
gracious, nor amenable, so on the plane there were three difficult things other
travelers had to deal with: the loud engines, the three squalling children, and
my intestines. I only had the kale and strawberries and grits from the farmers
market in L.A, I really haven’t been eating much at all in oh, say, three
weeks, but it all came back to roost in the fourteen hour flight trans-pacific.
People of note:
The
man who was wearing a dollar bill tie, with a suit that looked like it had been
painted like a wall—you know, sponge brushed.
I
also sat next to, in the airport, another man who let out a “hum-uh-na-hum-ah” on
every third breath in a high pitched exhalation. Not quite a cough, not quite a
wheeze, not quite a gurgle.
I
actually slept on the plane, despite the aforementioned three problems
(engines, children, intestines). I bought noise cancelling earphones for two
out of three problems, and the last problem—well, nothing to be done about that
one, really.
So
I think I slept probably about eight or nine hours, actually. I don’t know why
I think that, except that I did math in my head at the time and that was the
conclusion I came to. We’ll have to trust it.
(Don’t trust it, but that’s ok.)
And then Australia! I cleared
customs no problem because I was only going to be there for a day (and yes, I
now have a “Welcome to Australia” customs stamp on my passport!) and headed
into the main harbor to see the opera house and an area called “The Rocks”
which I’d heard had museums and shops and things.
Sydney's Harbor--I tried not to take a picture of the giant cruise ship. |
please note the trees in full leaf just above the British Christmas Decorations. |
Oh,
but I’d forgotten that Sydney is a city, and so places with museums and shops
and things are going to also be expensive. I was also lugging around my giant
backpack with several changes of clothes, my laptop, all my medications, my
small bag of toiletries, all my necessary electronic items, etc, and doing it
all on very little energy. So I found
the Opera House (not hard to find, really) and I found several Ships St. Mary’s
Style, and I found lots of people willing to take my money, and I found myself
exhausted and dragging from one place to the next with not a lot of inclination
to actually look for anything more. I
kept having to remind myself that it was ok not to push, that it was ok to just
do what I could do and not drive myself crazy. Looking back on it I wish I had
actually gone up and touched the Opera house. You can see a picture of it any
time, from far away, but to touch it is something you can’t always do.
This is the Opera House. |
The
way that America has Native American art and tourist items is the same way that
Australia has Aboriginal art and tourist items. I straight away found a gallery
of Aboriginal art which was definitely a higher quality than the stuff I’d ever
seen before, but still probably wasn’t “real” in whatever sense you want to
define “real.” Or—it was clearly made for the tourist market, and who knows
where it came from or who benefited from it. But in any case, it was beautiful,
and I like to think that after growing up with my mother, and after going
around the Met several years in a row with Susie McTigue, and after living and
being friends with Megan White, who talks about things like triangulation, I
have picked up some things.
But
it quickly became clear that the gallery I wandered into was the higher end,
and there were many many items on the cheaper and less classy end I could have
found if I had gone left instead of right. Keychains, plates, coasters—you name
it, all in that same style of aboriginal art. Here is an example of aboriginal
Art with my favorite featured example: the platypus.
There
weren’t that many people in the part of the city I was in—a group of school
children, various business people who looked like they worked in the offices
nearby, but it was largely empty, which was bizarre because I’m used to D.C
where the tourist centers are never empty. But it’s a little harder to get to
Sydney than it is to D.C, although I guess it depends on where you’re coming
from.
I
left Sydney’s center early in the afternoon because I was tired. I found a
bookstore on my way out and purchased Gould’s Book of Fish, by Richard Flanagan,
about a convict sent to a harsh penal colony in Australia who falls in love
with a black woman and something something something drastic and horrible—he also
paints a book of fish. I haven’t gotten to the love story yet.
I got my plane to New Zealand at
seven PM. I waited at the gate for about an hour, waiting, and they had a news
station playing on repeat the whole time. A couple of the news stories were
about Sydney news—an industrial fire set off by a car fire, and the local
subsequent air reports (all clear); a boy was the victim of a hit and run (very
sad, bad time of year)—but other news stories were about the Obamas lighting
the white house Christmas tree, which I thought was bizarre because who would
care, in Australia, about the Obama’s and their Christmas tree? I mean, maybe
they would care about Obama’s opinion on Palestine’s nationhood or something,
but their Christmas tree? And maybe it was my own desires, too, showing
through. I came to the southern hemisphere partly to escape America, but
America is still here, America is everywhere.
And this is a picture of chocolates in fun shapes! |
The
last news segment also threw me for a loop—the Smithsonian (IN D.C) has the
largest uncut piece of aquamarine in the world (or something). It occurred to me that the Smithsonian is in
my backyard. I can go there anytime, pretty much. I thought that every country had a museum of
that equivalent, but maybe it’s not true. France has the Louvre, England has
the British Museum—countries have museums and places that are heralded, but the
idea that there is no other Smithsonian is a new one. You will laugh, probably.
Of course the Smithsonian is one of a kind, of course! But really, why should
it be? Why shouldn’t everyone be doing that type of work as often as they can
manage in as many places as they can? We should have Smithsonian’s in every
country, at least! And the news item showed this old man’s hands and this
brilliant piece of glowing aquamarine, a sort of pyramid shape going round and
round, and I just thought, “I don’t remember that. I never saw anything like
that. All I saw was dinosaur bones and stuffed tigers.”
I touched down in Christchurch,
New Zealand, at 12:20 am. Somehow knowing it was midnight made me much more
tired than I was already, and I sort of zombie walked my way up to customs. Jessica
Russell had told me that customs in New Zealand would give you “Welcome to
Middle Earth!” passport stamps, and that was what I was looking forward to.
On
the plane they had given us a little card to fill out for about all the things
we were bringing into the country, and I was so tired that I answered
everything truthfully. Yes, I am bringing in trailmix, honey, wood, and hiking
boots that may or may not have been in the woods or a freshwater lake in the
last thirty days. In fact, I myself may or may not have been in contact with
the woods or a freshwater lake in the last thirty days (who can remember things
like that? It seems possible). And no, I
don’t have the address of the place I’m staying, nor do I have a visa, and
there’s this complicated thing that’s happening where I’m working but they’re
not paying me but they are providing for me, so it’s sort of like they’re
paying me, but they’re paying me in food, not money.
Well,
the people at the desk were very nice, and they smiled a lot, but they beckoned
me to, “step aside please, just grab your bag from the round about, yes, come
this way.”
I
thought for sure that the airline would have lost my checked luggage
(Minneapolis to LAX to Sydney to Christchurch over four days, when one of those
days didn’t exist because of time difference seems like a good excuse for a bag
to go missing) but there it was, right on time, wheeling around the turnstile.
I
grabbed it and was led over to a small area with a couple other visa/baggage
rejects. There was one girl who had camping gear (do you have camping
equipment? Have you been in contact with the woods or freshwater lakes in the
past thirty days?); a man with a shaved head who—something about a stolen or
lost visa? Something about Portugal versus Spain. He got cleared up right way—and
then there was another woman with a bag from the old army/navy store, splitting
at the seams, an alpaca poncho down to her knees, a ukulele that she was
strumming, and a large, purple, green and silver hula hoop. She wasn't much
older than thirty, with straight, clean brown hair down to her shoulders. Her skirt is browning at the bottom, but her hair is clean and I tried to hold on to that when it was midnight and I was in very close proximity to this person.
I
opened my bag to find that one of the bowls I brought with me, made by my
father as a hostess gift for my house parents, had broken in my bag, so this
lady was strumming on her ukele, singing a maybe lullabye in a high pitched, slightly off key voice, and I was picking out bits of broken glass from
my underwear and carrying them to a trashcan, hoping that immigration didn't come over and cite me for dangerous weapons or something.
After
a long time they led me away, opened my bag (sans glass bits, by this time)
and took the honey that I’d purchased as a hostess gift for my house parents.
They let me keep the beeswax candle that was part of the arrangement, but I couldn't keep the jar of honey. They checked
my boots for dirt (there wasn't any); they didn’t care about the trailmix; The wood
was an ornament and they said that’s fine; I looked clean enough. Really they
were only concerned about the honey.
They
led me back to the reject pile and sat me back down to wait.
Hula
Hoop woman and I were the last of the rejects. After I did a bit of work to get
the conversation going (I didn’t really want to know how to make a hula hoop
but I got her to tell me anyway) she told me that there are layers to the
experience of New Zealand, and that she’s of the “gypsy, caravaning layer,” and
that at the very south, on Stewart Island (near where I’ll be, conveniently
enough,) there’s going to be a whole festival of gypsies gathering soon. She said
that in her community she’s known as the silent one, the quiet one, the one who
doesn’t speak.
That
was hard to believe, as when I was taken off by a visa officer for some
information she shouted, “She’s not getting paid for her work!” just in case I
wasn’t smart enough to tell the visa lady that myself. The visa lady took down my information and
went away again.
(Here I will note that though there were two rather attractive visa-men ambling about, the people in charge were clearly the visa-women. The visa men turn out to just be lackeys, told to "do this, do that, and come to us with any problems," and the "us" are the women of the joint.)
(Here I will note that though there were two rather attractive visa-men ambling about, the people in charge were clearly the visa-women. The visa men turn out to just be lackeys, told to "do this, do that, and come to us with any problems," and the "us" are the women of the joint.)
Hula
Hoop woman also told me that she doesn’t like telling people where she’s from
or what she’s done in the past because she tries to live in the moment, she
tries to take each moment as it comes, tries to live each day to the fullest,
not to be burdened by ego, etc etc. Maybe ten minutes later she asked me where
I’m from, and then she proceeded to tell me that she hitchhiked all over
America.
“Do
you know where Nova Scotia is?” she said.
I
raised my eyebrows a barely imperceptible amount and nodded.
“I
hitch hiked from there.” --Here I should note that her accent was light but
probably australian. Her “there” was not British, not south African, not American,
and since she was having trouble entering New Zealand, I’ll hazard a guess that
she was not a native. So I’m guessing she was from Australia. --“I hitched from
there to New York for the Occupy movement, and I hitched from California to
Seattle; and a couple years before I was
with a caravan through Panama and Mexico. That was a lot of fun, yes. That was
the same year I sailed across the Pacific. Slow way of travel. Only go 15 knots—takes
six months to get across. We stopped a couple times, on the islands, to feel
the culture, to be one with the people, you know, and then we moved on.”
And
I was thinking, how the hell are you financing any of this?
Either
the answer was illegal or legal. If it was illegal she’d want me to know, in
which case I would be uncomfortable, and if the answer was legal or silly, like
if her father was funding her, then she would assume I would think less of her,
which was probably correct, and she wouldn’t want to tell me.
So
I didn’t ask.
At
some point in our conversation, somewhere between her telling me about how New
Zealand’s earth will welcome me, and I should follow my heart if I don’t like
the sheep farm and I should leave it, I should leave the sheep farm, do I hear
her? I should leave the sheep farm, because the earth will welcome me, and the Maori
word for earth is something, and the Maori word for sky is something else, and
I was courageous to come all the way out here, etc etc, but really all I’m
feeling right now is slightly ill, and tired, so tired, not courageous at all—somewhere
in there, or after that, she fell asleep on the couch that she was stretched
out on, while I was sitting on the floor, clutching my bags, which still had
glass shards lurking in them.
She
fell asleep and I was led away by the woman who took down my information, who
told me that normally things work a certain way, but because my case sort of
slipped through the cracks in this and this and this way, she would let me do
it the way I intended for it to be done originally—namely, I didn’t have to
have an expensive work visa. I could just be a normal visitor and volunteer
and not have any muss or fuss.
They stamped my passport with "New Zealand, 0298530"--no mention of Middle Earth at all--and sent me on my way.
They stamped my passport with "New Zealand, 0298530"--no mention of Middle Earth at all--and sent me on my way.
That
night I slept in the airport because my bus from Christchurch left at 7:45 in
the morning, and after I cleared customs it was 2:30 in the morning New Zealand
time, 12:30AM Australia time, 6:30 PM Los Angeles time the day before, but really none of that mattered because the real problem was that I wouldn’t have
enough time to get a hotel before my bus to Ivercargill the next morning. There
were people (other backpackers) sleeping on top of chairs, under chairs, along
the walls, in any nook they could find. I found a stretch of chairs that looked
dark but also somehow ended up being right next to the outside door, and so got
very drafty and cold.
Around
4:30 in the morning all the backpackers got up at once for no reason. I woke up
and saw several of them striding, with purpose, off into the depths of the
airport. I had no explanation, except that it’s something like how monarch
butterflies all know when and where to migrate all at once without training or
explanation. So it is with backpackers; except I’m only half a backpacker, and
had nowhere to go, so I commandeered the handicapped bathroom and took a
spongey bath in the sink.
Then
I figured out the bus schedule, made friends with an old woman also waiting for
the bus, stepped out of the airport (dum dum dum!) and into New Zealand.
Next up, my day getting to Invercargill!
Of course the Smithsonian is the most awesome museum in the entire world. I will try to find the aquamarine; it will be like a treasure hunt. If you haven't been to the rocks and gemstones section of the natural history museum, it's clearly the best and we will have to go some day.
ReplyDeleteThe platypus painting is awesome whether it's authentic or not. Aboriginal art is like Native American Art in that it's changed a lot since the 70's, so some that doesn't look traditional, actually is authentic, and vice versa. The only museum in the U.S. devoted entirely to aboriginal art is Charlottesville! It's small, but in a cool old building on top of a hill.
I'm sad about the honey and the lack of middle earth passport stamp and customs in general :( BUT you made it! You're in NEW ZEALAND! (Picture that in very large letters the color of redwood trees.)